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Chr. zieht Leonidas, König von Sparta, mit nur Soldaten gegen eine Armee von 1 Million in die legendäre Schlacht bei den Thermopylen. Mit:Gerard Butler. Du kannst "" bei Netflix im Abo streamen oder bei iTunes Store, Maxdome oder Amazon Prime kaufen oder leihen. Klicke dich direkt zum Streaming-Anbieter. jetzt legal streamen. Hier findest du einen Überblick aller Anbieter, bei denen du online schauen kannst. IndyCar Series Presents the Genesys Start Time, TV Channel, Live Stream, Schedule. Tonight's broadcast will be the first time that IndyCar will get the main. jetzt legal online anschauen. Der Film ist aktuell bei Amazon, Netflix, Sky Store, iTunes, Google Play, freenet Video, Videobuster, Microsoft, Rakuten TV. p Full HD Stream. König Leonidas marschiert mit einer kleinen Armee von loyalen Spartanern auf Thermopylen zu. Filmreihe Eine Action-Filmreihe auf. Gibt es auf Netflix, Amazon, Sky Ticket, iTunes oder Maxdome und co legal? Jetzt online Stream finden!

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Cute cats, quirky crafts and colorful magic! Greek general Themistokles leads the charge against invading Persian forces led by mortal-turned-god Xerxes and Artemisia, vengeful commander of the Persian navy. You must be logged in to post a comment.
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And yet, as much as I want to laugh at it and dismiss it as stupid fun which is easily done with the sequel, Rise of an Empire , this is actually an excellent film with some amount of depth to it.
No, King Leonidas probably didn't fight a giant CGI wolf as a boy, but this film is extremely successful in conveying the mindset of the ancients--their perceptions of an enemy, their need for honor and glory, their dedication to their nations, their struggle to understand the world around them, and their devotion to camaraderie and brotherhood.
As the film portrays, this ancient mindset was often forged in conjunction with death, battle, and sacrifice.
The style used in this film helps, rather than hinders, the conveyance of an ancient Spartan worldview. That the movie managed to convey these themes while being entertaining, quotable, heavily stylized, and overall cheesily awesome is what makes it a success.
Thermopylae or the Hot Gates was a pass in the mountains where a small force could hold up a much large number of opponents.
The movie begins with an almost fetishized version of the Spartan warrior culture where children are taken at a young age and taught about fighting and violence.
This builds up the myth of the Spartan fighting men who will be the stars of the story. They are portrayed as proud, strong, and standing for freedom, while the Persians are shown as blood thirsty imperialists.
For instance, Leonidas and his men come across a village that was massacred by the Persians and all the dead bodies strewn across a tree.
Later the Spartans will face monster and giant beasts at the hot gates as well. The Spartans were democracy and civilization versus the Persians who were oppression and empire.
This is called Orientalism view where the West Spartans are always portrayed as good and the East Persians are bad. See all reviews.
Top reviews from other countries. This reminds me greatly of some of the adrenal novels by David Gemmell. I could watch this again at pretty much any time.
Report abuse. Adapted from the book by Frank Miller, this is a modern retelling of the Battle of Thermopylae of BC, when the , strong invading Persian Army of King Xerxes was held back in a narrow mountain pass by Spartans.
Rejecting the proposal, the battle ensues, and the Spartans are only defeated by the treachery of a local shepherd Ephialtes [Andrew Tiernan], who shows the Persians a secret route, enabling them to outflank their opponents.
Due to inherent differences between the two mediums, inevitably major chunks of the source material get left out, to varying results. Perhaps that's why Hollywood has seen so much success with its adaptations of graphic novels in recent years.
With their thin text, and their bold, image-driven narrative style, even the most niche graphic novels are arguably more camera-ready than your typical best-seller.
And with recent advances in CGI, there's no limit to how fantastic the images in these novels may be in fact, if box office receipts are any indication, the more outrageous the imagery, the better.
For these reasons alone, in retrospect, it really should not have surprised me that '' turned into the sleeper blockbuster of The original graphic novel, sprung from the mind of Frank Miller 'Sin City' and 'The Dark Knight,' and is like 'Gladiator' on steroids and seemingly tailor-made to get blown up to mega-screen proportions.
Using every trick of the modern cinema trade to not only bring Frank Miller's comic book panels to life, but to elevate them even further to the level of pop culture myth.
The characters were only thinly sketched-out in the graphic novel, and they're only slightly more embellished in Zack Snyder's vision.
King Leonidas [Gerard Butler] is the ostensible hero, has dreamed his entire life of defeating the Persians.
He gets his chance after a group of arrogant messengers from the Persian army arrive in Sparta, offering its people the choice between surrender and death.
Leonidas has the messengers slaughtered, and decides to amass his strong army at Thermopylae pass, that has a narrow corridor between the steep cliffs of the Aegean Sea.
The plan is to limit the Persians' access, thereby making their massive numbers meaningless. As they come through the pass, Leonidas and his army will clobber them, one by one.
And so the stage is set for ''s almost non-stop second act cavalcade of phantasmagorical violence, bone-crushing gore and CGI wizardry.
Miller turned his Persian warriors into a bizarre, surreal stew of iconic archetypes from deformed warriors to bizarre African animals, raging wizards to the elite guard of the Immortals, complete with scary death masks right out of a 'Texas Chainsaw Massacre' film.
Zack Snyder both plays up the fantastical while also stripping the imagery down to its bare essentials. It's all heaving bare flesh, strategically-placed costume details, and bold, digitally drawn-in backgrounds.
Upon its cinema release, reviewers levelled a number of criticisms at '': some said that it was gratuitously violent; others felt that its characters were paper thin to the point of abstraction; and still others felt that it was either the most homoerotic mainstream film ever made or the most misogynist.
But while each of these concerns is certainly valid, ultimately they all get crushed under the sheer thrill of Zack Snyder and Frank Miller's bombast spectacle.
Simply put it, I feel Zack Snyder did a brilliant job and should be totally proud of his work. But at its heart, it's a story of people.
People coming together to fight a common enemy, people with a purpose. It's not about a presumptuous king sending his armies to fight faceless men who hide in caves.
This is a story about people who, when annihilation is brought to their doorstep, did the brave thing, against all odds, and won a greater victory than any single military mission could ever have brought them.
By fighting for their lands and their brethren, they found glory. As such, this high-definition presentation of '' is predictably flat, with most detail drained from the shadows and highlights lost in a blaze of hot whites.
Even exaggerated textures, such as extreme close-ups of flesh, rocky surfaces, etc. Colours are intentionally muted, with an almost sepia-toned hue that turns flesh tones into copper and eliminates much of the colour spectrum except for deeper blues and browns.
Adding to the film's 2D feel is the fact that the majority of the backgrounds are animated, with the live action shot in front of a blue screen.
Finally, a computer-generated "film grain" has been added to the mix, which gives the image a final coating of jumpiness, with obvious noise in every shot.
Yet, despite all this intentional degradation, there is also an undeniable beauty to the rough grandeur of ''s visuals.
Sort of like a PIXAR animation on steroids, and the crushed look Zack Snyder intended gives many of the shots great power because they are so simple and exactly like comic book panels come to life.
The obvious computer-generated landscapes his digital artists have created also give it that dazzling, pixilated eye-candy look of the coolest videogames.
All things considered, I found watching '' a totally thrilling experience and also an enjoyed a good-looking, awe-inspiring high-definition image.
But as a representation of the film's style, there's no debating that this Blu-ray edition of '' delivers, so much so that even for high-definition purist like myself, and it's impossible to ignore the film's intentionally degraded visual design and so just sit back enjoy the ride of your life.
This is the kind of film that has such a barn-storming sound design that any caveats I might have are all washed away by the sheer bombastic thrill of it all.
Warner Home Video has supplied both next-generation editions with matching 5. Right up-front, the PCM sounded a bit louder, but after some level matching, a direct A and B comparison of several scenes revealed only slight differences.
Although I'm sure this disc will stir up the whole 5. Dynamics are incredibly aggressive, with heart-stopping low bass that gave my subwoofer as good a workout as any next-gen disc I've ever heard.
Since the majority of ''s soundtrack was created entirely in the studio, the cleanliness and clarity of the entire frequency range is startlingly lifelike and real.
The "wall of sound" effect is in full force, with discrete effects in the rears wonderfully immersive and sustained. Imaging between channels is seamless, so crank up the volume and you'll be treated to the kind of rare, in-your-face degree home theatre sound field that's second only to what you'll find in the actual cinema.
Dialogue is also perfectly balanced again, no surprise given that almost the entire movie was looped. But sonically speaking, a film like '' isn't about people talking to each other, it's about aural spectacle, and when those swords start clashing, and this one knocks it totally out of the park.
Considering how high octane the picture is, the commentary is very sedate by comparison. Most of the discussion revolves around the technical aspects of the production.
Special Feature: The Fact or Fiction? There's some excellent footage here, both of the participants and actual Greek artefacts.
Special Feature: Who Were the Spartans: The Warriors of [] A short documentary which has the actors discussing the historical figures they are portraying on screen.
They tell us the customs and ways of life of the Spartans and how the actors and filmmakers built up their characters. Needless to say, it worked.
Special Feature: The Frank Miller Tapes [Audio only] [] We get to hear the outspoken Frank Miller telling us that he was against any filmed adaptation of his comic work.
Though Frank Miller has been known to be "touchy" when it comes to past adaptations of his work, he seems to have nothing but enthusiasm for '' and both his original graphic novel and Zack Snyder's daring visual reinterpretation.
A very nice background piece. This is pretty standard stuff. This is an extended commercial and appears to be culled from the same material but at least it's better focused, providing a nice opener for all of the extensive technical talk to come.
Special Feature: Webisodes [i] [1. They're all included here, and together make a nice overview of the production. These are the only features not in high definition.
None feel particularly essential, although like everything else to do with this film, they are so cool. This is a sort of a "greatest hits" of lost moments not all complete , little here stands out as essential, although big-time '' junkies are sure to enjoy the excised "Persian Giant" sequence, which Snyder apparently sniped mainly because it was too over the top, as well as being narratively unnecessary.
Still, it alone makes the deleted scenes worth a watch. Zack Snyder took special care to bring Frank Miller's beloved graphic novel to the screen, and his enthusiasm for the material is infectious.
The image is just as the director intended it, and the sound is totally awesome and so much that it alone makes this Blu-ray disc worth purchasing.
And while this Blu-ray disc has all of the supplements from the previous inferior DVD release, most of them are in p HD, they are missing several major interactive features found only on the DVD version.
On top of all that, when I saw this film at the cinema, I was bowled over by the stunning images that were projected on the screen, but now owning my own personal copy makes the wait well worth it and having this ultimate SteelBook is another fantastic bonus, as it is so beautiful and stunning and is now pride of place in my Blu-ray Collection and on top of all that all the extras is another massive bonus, that will give you may endless hours of pleasure.
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R 1 hr 57 min Dec 9th, War , Adventure , Action. Zack Snyder. Gerard Butler as King Leonidas. Lena Headey as Queen Gorgo. Dominic West as Theron. Movies Like Greek general Themistokles attempts to unite all of Greece by leading Le Chiffre, a banker to the world's terrorists, is scheduled to partic
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